Deacon Sampson delivers a country-gospel testimony like no other, blending soul and twang in I Stand All Amazed (Soulful Saddle Mix). A story of faith, redemption, and one producer’s deep confusion about steel guitars.

The Sanctified Sisters bring the groove to the manger with their soulful rendition of “O Holy Night.” Blending funk, R&B, and the timeless message of Christ’s birth, they celebrate the miracle of that sacred night with harmonies that could make angels sway. Get ready to feel the spirit and tap your toes as they honor the Savior with the joy of gospel soul.

The Sanctified Sisters are bringing the funk to Bethlehem in this groovy, gospel-infused Christmas jam! With harmonies as tight as a Christmas bow and basslines smooth enough to make the shepherds two-step, this isn’t just holiday music—it’s a celebration of the Savior’s birth wrapped in 80s soul and R&B.

In 1987, The Sanctified Sisters took an LDS Hymn and turned it into a soul-filled R&B testimony. Abide with Me; 'Tis Eventide blends 80s gospel groove with a message of divine peace—because even the Lord deserves a melody to dwell in.

Hyramel Groover returns with a groove so righteous, even angels would tap their toes. Hail the Day That Sees Him Rise blends boogie-funk with a testimony so smooth, it’s practically celestial.

When Jukebox Saints said they were bringing LDS hymns to the G-Funk, they weren’t playin’. This is where faith meets funk—a sacred groove session straight outta Zion!

The Sanctified Sisters are bringing the spirit and the groove with Tabernacle of Funk, Volume 1! These Philly-born saints mix 80s R&B, gospel soul, and funk so deep it’ll make the Tabernacle shake. Faith never sounded so funky!

The Sanctified Sisters are back, and this time, they’re walking with Jesus—with a groove so righteous even the pearly gates might have a disco ball. An 80s R&B-infused take on an LDS hymn, this track proves that faith and funk go hand in hand.

Zarae Almon takes a smooth 90s R&B detour into the heart of Eternal Family, where LDS Hymns meet silky harmonies and a groove so divine it might just be celestial-approved.

Almaza Lopez brings the fire of LDS missionary work and the groove of 90s G-Funk in Called to Serve—where faith meets funk, and the gospel gets a whole lot of soul.

Hyramel Groover never intended to become the prophet of funk. But when he climbed that mountain, guitar in hand, and felt the Spirit move through the trees, he knew—this hymn was about to groove.

Tommy Testimony takes you on a soulful, interstellar journey with If You Could Hie to Kolob—a celestial 90s R&B groove that dares to ponder eternity, space, and the boundless wisdom of God.

Gloriana Givemoore takes you on a disco-fueled testimony with Because I Have Been Given Much—a funky, soulful, and sanctified anthem about giving, grooving, and glorifying Christ.

Almaniah Davis never did subtle. With a groove as smooth as a Miami sunset and faith as strong as a Nephi handshake, he turned Latter-Day Saints music into something that could make God’s children move.

Before Jarom Hanks was gracing the world with smooth R&B gospel, he was a kid with a dream—and that dream involved an old cassette player, a lot of broken pencils (rewinding tapes the old-school way), and a testimony of Jesus Christ so strong it could make even the most stoic deacons tear up. Nearer, My God, to Thee isn’t just a song; it’s a soulful journey wrapped in 90s grooves, celebrating faith with every silky note.

Before there was auto-tune, before there was synth-pop gospel, there were The Sanctified Sisters—three women with voices so powerful they could part the Red Sea (or at least get the whole congregation on its feet). Their latest soulful groove, We Thank Thee, O God, for a Prophet, brings the funk to faith, blending the fire of 1980s R&B with a testimony that could shake the heavens

Ammonius Soulstar takes a beloved LDS Hymn and gives it a righteous groove, proving once and for all that Saints can have soul. "Come, Come, Ye Saints" like you’ve never heard it before—faithful, funky, and full of light.

Emmeline Moon turns a classic LDS Hymn into an indie pop anthem, proving once and for all that faith, groove, and a little bit of greenhouse magic can coexist.

Almus Grover has never been one to take the easy road—mostly because he keeps getting lost. But somehow, through detours, divine funk, and a mild obsession with vintage keyboards, he found himself at the intersection of groove and grace. I Need Thee Every Hour is a soul-soaked testament to leaning on Jesus Christ in every beat of life, with just enough 90s indie R&B pop to make angels two-step.

Ammonae Scott takes us back to the smooth grooves of 90s R&B with Be Still My Soul, a soulful tribute to faith, peace, and trusting in the Savior’s plan—because sometimes, the only way through the storm is to let the Lord drive.

Nephina Zion isn’t your typical pop star—she’s a Brooklyn-born groove machine with a testimony stronger than a subway turnstile. In "I Know My Redeemer Lives," she brings the 90s pop glow to a message that’s eternal. A little soul, a little sass, and a whole lot of Savior.

When life gets loud and the storms roll in, Zarae Almon slows it down with "Be Still, My Soul"—a 90s R&B groove dipped in faith, wrapped in velvet vocals, and straight from the soul.

Brother Swid Swank, the maestro of 1970s soul and funk, transforms the classic hymn "Put Your Shoulder to the Wheel" into a groovy anthem. With his signature blend of rhythm and testimony, Swid invites all to serve the Lord with a heart full of song and a dance in their step.

Celeste Haze takes indie pop to divine heights with There is a Green Hill Far Away—a soulful, quirky reflection on the Savior’s love, wrapped in harmonies that’ll make your spirit groove.

When Almarcus Soulfire stepped into the studio, the air was already electric—but not nearly as electric as the fire of the Spirit that lit up his soul. The Spirit of God is Like a Fire Burning takes the sacred and smooths it out with that signature 90s R&B groove, proving that the gospel and a silky falsetto belong together.